The music emanating from the stage outside didn’t start until 5 pm on Friday, which gave us most of the day to record without much bleed from the outside noise. This would all change by noon Saturday and we found a change of location would be necessary in order to get some solid useable recordings. Luckily, there was an RV a little further from the stage which offered a much more soundproof environment, when it came time for the fiddle tracks. Unfortunately, my fiddle player (Nicky Sanders) had to run a few errands and wasn’t able to make it back in time to record his tracks on Saturday- but he assured me Sunday would dedicated to the album.
Originally, I had hoped to be able to add Jerry Douglas playing dobro on a few tracks, however our schedules weren’t able to line up on Saturday either and soon he had to leave; the idea of having his legendary sound on my album disappeared in dust behind the bus. Basically, Saturday was a let-down day. Rob Eaton spent most of the afternoon ironing out the electronic recording bugs and glitches between computers, hard drives and interfaces, only to get things working and find out there was no one to record. But I knew there would be days like this when I started. Nevertheless, this left one day to get the tracks needed for the album.
Sunday was much more promising. By 3 pm we had set up in the RV and were laying down tracks; by 6:30 PM we had fiddle tracks for 8 songs and one step closer to finishing the album!
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